000

Equipment


311 - Red Rocks (2023)




No matter what any photographer or videographer tells you, gear does matter. It’s not in the way most people think however. Gear should be curated based on the type of work you want to be putting out, and support the style in which you want to present your art. 
I’ve tried cameras from all major manufacturers at various price points and landed on these cameras for my production work. Aesthetics are a massive part of my output, and the ways in which these cameras render tones + colors is perfect for me  



Cinema Cameras

Black Magic 6K G2 (4x)
6144 x 3456 - 24 FPS (6K)

Accessories

Edge Powerbase - External Battery
Tilta Mirage VND Matte Box
Small Rig Cage for BM6K
Rode Videomic Pro+
External 4K Monitor

Medium Format

Fuji GFX 50s (Digital)
8256 x 6192- 51.4 MP

Mamiya RB67 (Analog)
6x7 Film Negative

Lenses

Mamiya Sekor C 180mm F4.5
Mamiya Sekor C 90mm F3.8

Full Frame

Canon 5D Mark IV
6720 x 4480 - 30.4 MP

Lenses

17mm Tilt Shift (Canon)
35mm F 1.8 (Sigma)
24-70mm Mark IV (Canon)
70-200mm Sport (Sigma)
150-600mm (Sigma)




Portfolio

001 — Event Coverage


002 — Tour Coverage


003 — Production



Information

004Information / Contact




AMBIVALENCE
Creative Director / Artist
Based in Denver, CO
 Are.na
 Email
 Instagram